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    2024 Participants: Hannah Ackermans * Sara Alsherif * Leonardo Aranda * Brian Arechiga * Jonathan Armoza * Stephanie E. August * Martin Bartelmus * Patsy Baudoin * Liat Berdugo * David Berry * Jason Boyd * Kevin Brock * Evan Buswell * Claire Carroll * John Cayley * Slavica Ceperkovic * Edmond Chang * Sarah Ciston * Lyr Colin * Daniel Cox * Christina Cuneo * Orla Delaney * Pierre Depaz * Ranjodh Singh Dhaliwal * Koundinya Dhulipalla * Samuel DiBella * Craig Dietrich * Quinn Dombrowski * Kevin Driscoll * Lai-Tze Fan * Max Feinstein * Meredith Finkelstein * Leonardo Flores * Cyril Focht * Gwen Foo * Federica Frabetti * Jordan Freitas * Erika FülöP * Sam Goree * Gulsen Guler * Anthony Hay * SHAWNÉ MICHAELAIN HOLLOWAY * Brendan Howell * Minh Hua * Amira Jarmakani * Dennis Jerz * Joey Jones * Ted Kafala * Titaÿna Kauffmann-Will * Darius Kazemi * andrea kim * Joey King * Ryan Leach * cynthia li * Judy Malloy * Zachary Mann * Marian Mazzone * Chris McGuinness * Yasemin Melek * Pablo Miranda Carranza * Jarah Moesch * Matt Nish-Lapidus * Yoehan Oh * Steven Oscherwitz * Stefano Penge * Marta Pérez-Campos * Jan-Christian Petersen * gripp prime * Rita Raley * Nicholas Raphael * Arpita Rathod * Amit Ray * Thorsten Ries * Abby Rinaldi * Mark Sample * Valérie Schafer * Carly Schnitzler * Arthur Schwarz * Lyle Skains * Rory Solomon * Winnie Soon * Harlin/Hayley Steele * Marylyn Tan * Daniel Temkin * Murielle Sandra Tiako Djomatchoua * Anna Tito * Introna Tommie * Fereshteh Toosi * Paige Treebridge * Lee Tusman * Joris J.van Zundert * Annette Vee * Dan Verständig * Yohanna Waliya * Shu Wan * Peggy WEIL * Jacque Wernimont * Katherine Yang * Zach Whalen * Elea Zhong * TengChao Zhou
    CCSWG 2024 is coordinated by Lyr Colin (USC), Andrea Kim (USC), Elea Zhong (USC), Zachary Mann (USC), Jeremy Douglass (UCSB), and Mark C. Marino (USC) . Sponsored by the Humanities and Critical Code Studies Lab (USC), and the Digital Arts and Humanities Commons (UCSB).

    SimonHutchinson

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    • From Ron Eglash's article above, p 368: Perhaps [a] kind of emphasis on a technical identity is at work here, too, and the master-slave metaphor is attractive to engineers because its free use "proves" that they inhabit a nonsocial or culture-…
      in “Master/Slave” Replication in MySQL Comment by SimonHutchinson January 2020
    • @barry.rountree Thanks! Poking around, in this 2007 article, the earliest mention the author found was 1904. I haven't dug into this whole article yet, but hope to do so later in the week. I bring up the history and origins of this usage in re…
      in “Master/Slave” Replication in MySQL Comment by SimonHutchinson January 2020
    • I'm very interested in this discussion. Working in audio these terms are still prevalent (talking about master clock, etc.). I'm curious as to the origin of "Master/Slave" in this technical context. Were these terms (in regard to code) coined in …
      in “Master/Slave” Replication in MySQL Comment by SimonHutchinson January 2020
    • Hi all. My name is Simon Hutchinson (he/him). I'm a composer and Asst. Prof. of Music Technology at the University of New Haven. While my musical training is "traditional," my current work focuses interactive electronic composition, including data-d…
      in Introduce yourself Comment by SimonHutchinson January 2020