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2024 Participants: Hannah Ackermans * Sara Alsherif * Leonardo Aranda * Brian Arechiga * Jonathan Armoza * Stephanie E. August * Martin Bartelmus * Patsy Baudoin * Liat Berdugo * David Berry * Jason Boyd * Kevin Brock * Evan Buswell * Claire Carroll * John Cayley * Slavica Ceperkovic * Edmond Chang * Sarah Ciston * Lyr Colin * Daniel Cox * Christina Cuneo * Orla Delaney * Pierre Depaz * Ranjodh Singh Dhaliwal * Koundinya Dhulipalla * Samuel DiBella * Craig Dietrich * Quinn Dombrowski * Kevin Driscoll * Lai-Tze Fan * Max Feinstein * Meredith Finkelstein * Leonardo Flores * Cyril Focht * Gwen Foo * Federica Frabetti * Jordan Freitas * Erika FülöP * Sam Goree * Gulsen Guler * Anthony Hay * SHAWNÉ MICHAELAIN HOLLOWAY * Brendan Howell * Minh Hua * Amira Jarmakani * Dennis Jerz * Joey Jones * Ted Kafala * Titaÿna Kauffmann-Will * Darius Kazemi * andrea kim * Joey King * Ryan Leach * cynthia li * Judy Malloy * Zachary Mann * Marian Mazzone * Chris McGuinness * Yasemin Melek * Pablo Miranda Carranza * Jarah Moesch * Matt Nish-Lapidus * Yoehan Oh * Steven Oscherwitz * Stefano Penge * Marta Pérez-Campos * Jan-Christian Petersen * gripp prime * Rita Raley * Nicholas Raphael * Arpita Rathod * Amit Ray * Thorsten Ries * Abby Rinaldi * Mark Sample * Valérie Schafer * Carly Schnitzler * Arthur Schwarz * Lyle Skains * Rory Solomon * Winnie Soon * Harlin/Hayley Steele * Marylyn Tan * Daniel Temkin * Murielle Sandra Tiako Djomatchoua * Anna Tito * Introna Tommie * Fereshteh Toosi * Paige Treebridge * Lee Tusman * Joris J.van Zundert * Annette Vee * Dan Verständig * Yohanna Waliya * Shu Wan * Peggy WEIL * Jacque Wernimont * Katherine Yang * Zach Whalen * Elea Zhong * TengChao Zhou
CCSWG 2024 is coordinated by Lyr Colin (USC), Andrea Kim (USC), Elea Zhong (USC), Zachary Mann (USC), Jeremy Douglass (UCSB), and Mark C. Marino (USC) . Sponsored by the Humanities and Critical Code Studies Lab (USC), and the Digital Arts and Humanities Commons (UCSB).
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Lesia.Tkacz
Hi, my name is Lesia and I'm working on my interdisciplinary PhD in Web Science at the University of Southampton. I'm researching creative text generation, with a focus on generated novels.
I first came across CCS while researching for my BA thesis, and I was incredibly excited to find that it enabled me to bring together my fascination with dead/legacy programming languages, linguistics, the history of AI and computing, literature, and culture. And further, that a CCS approach can support my interest in investigating one area with the theoretical frameworks and tools from another.
Looking forward to digging into the discussions here!
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But even beyond that, why search at all? This calls to mind the whole global optimization fiasco, where eventually it was proven that over all data sets, no algorithm is better than any other, including a random walk. But that's what's interesting. …
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One of the fascinating things about the writeup by Yerkes (p88-99) is that it documents both the many attempts made by Julius and a brief comparison test done on a 3-year old human child (who failed to reach the bananas). It makes fascinating readin…
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Perhaps a monkey in a contained environment makes a good protagonist for box-world type parsing, like the robot in SHRDLU. Thanks @Temkin! I was hoping to find a list of microworlds to see if any remind me of animal experimentation, but I ha…
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* Freudenthal, HA , 'LINCOS, Design of a Language for Cosmic Intercourse Part I." Amsterdam (1960) * McCarthy, J.. "Programs with Common Sense'', Proceedings Symposium on Mechanization of Thought Processes; Her Majesty's Stationery Office, …
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To respond to @zachwhalen and agree with @jeremydouglass, when I think of a travesty generator I do associate it with an over-the-top, outrageous performance. And I think this sits very comfortably with the 'fake research paper' genre which seems to…
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@joncorbett This is wonderful! It's a powerful and important statement to focus on storytelling right from the beginning, rather than simply on calculation and logic. I also find it interesting to hear that Cree# is part of a larger language revital…
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I'm not sure what on line 24 does, but I like how it reflects a programmer's or user's actual language in use; after all, who hasn't periodically sworn at their machine? I did peek into the source code for ZIL verbs, and happened to find HO-HUM.…
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One question I have is whether the critical reading of Machine Learning datasets and corpora could fall under CCS? On the one hand, datasets and corpora are not code. But on the other hand, code is created in order to read them, and they are used to…
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@Stefkax said: ...With the progression of digital media towards algorithmic media...The exposure of the cultural bias in code is crucial because it exposes the imposition of monocultures both in computer science as well as in research driven thro…
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Hi, my name is Lesia and I'm working on my interdisciplinary PhD in Web Science at the University of Southampton. I'm researching creative text generation, with a focus on generated novels. I first came across CCS while researching for my BA thes…