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2024 Participants: Hannah Ackermans * Sara Alsherif * Leonardo Aranda * Brian Arechiga * Jonathan Armoza * Stephanie E. August * Martin Bartelmus * Patsy Baudoin * Liat Berdugo * David Berry * Jason Boyd * Kevin Brock * Evan Buswell * Claire Carroll * John Cayley * Slavica Ceperkovic * Edmond Chang * Sarah Ciston * Lyr Colin * Daniel Cox * Christina Cuneo * Orla Delaney * Pierre Depaz * Ranjodh Singh Dhaliwal * Koundinya Dhulipalla * Samuel DiBella * Craig Dietrich * Quinn Dombrowski * Kevin Driscoll * Lai-Tze Fan * Max Feinstein * Meredith Finkelstein * Leonardo Flores * Cyril Focht * Gwen Foo * Federica Frabetti * Jordan Freitas * Erika FülöP * Sam Goree * Gulsen Guler * Anthony Hay * SHAWNÉ MICHAELAIN HOLLOWAY * Brendan Howell * Minh Hua * Amira Jarmakani * Dennis Jerz * Joey Jones * Ted Kafala * Titaÿna Kauffmann-Will * Darius Kazemi * andrea kim * Joey King * Ryan Leach * cynthia li * Judy Malloy * Zachary Mann * Marian Mazzone * Chris McGuinness * Yasemin Melek * Pablo Miranda Carranza * Jarah Moesch * Matt Nish-Lapidus * Yoehan Oh * Steven Oscherwitz * Stefano Penge * Marta Pérez-Campos * Jan-Christian Petersen * gripp prime * Rita Raley * Nicholas Raphael * Arpita Rathod * Amit Ray * Thorsten Ries * Abby Rinaldi * Mark Sample * Valérie Schafer * Carly Schnitzler * Arthur Schwarz * Lyle Skains * Rory Solomon * Winnie Soon * Harlin/Hayley Steele * Marylyn Tan * Daniel Temkin * Murielle Sandra Tiako Djomatchoua * Anna Tito * Introna Tommie * Fereshteh Toosi * Paige Treebridge * Lee Tusman * Joris J.van Zundert * Annette Vee * Dan Verständig * Yohanna Waliya * Shu Wan * Peggy WEIL * Jacque Wernimont * Katherine Yang * Zach Whalen * Elea Zhong * TengChao Zhou
CCSWG 2024 is coordinated by Lyr Colin (USC), Andrea Kim (USC), Elea Zhong (USC), Zachary Mann (USC), Jeremy Douglass (UCSB), and Mark C. Marino (USC) . Sponsored by the Humanities and Critical Code Studies Lab (USC), and the Digital Arts and Humanities Commons (UCSB).

joncorbett

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  • @Lesia.Tkacz said: Unfortunately, I've yet to hear computational linguists regularly and carefully consider anything to do with political power, control, and ownership when it comes to developing language technology systems, and for whom. …
  • Sorry Gang! I was at a couple symposiums the past two weeks... great to see such a conversation continued in my absence. Just to catch up: @gohai What was the most difficult part to implement? This is definitely the morpheme component…
  • @Mace.Ojala said: This Cree# language looks like it would be great to program with a stylus or a pen or another instrument like that, rather than a keyboard. Absolutely! Writing would be great! One thing I am actually working on is a …
  • @jeremydouglass, I would love to use emojis! ?= "ᐃ" is definitely in line with Indigenous worldviews, I might add that as a feature!
  • I love the thorough examination Jeremy! Thanks so much - you beat me too a lot of descriptions of some of the challenges I am encountering. Using a unicode platform is first on my list - for exactly all the reasons you list. And you are absolutely c…
  • Hi Meredith! Ancestral Code/Cree# is still in its infancy, but I hope to release a working beta version of it later this year (I'm shooting for July). I'm sure Mark will be able to facilitate the notification of its release when I have it stable and…
  • Thanks for the additional examples Jeremy! These are a couple I do not have in my references yet, so I thank you immensely. One of the issues with Indigenous numeric systems (in particular North American Indigenous) is that at some point you run …
  • tanisi Kalila and Zach! I'll do my best to answer these questions, starting with Kalila's: 1) Language revitalization is something I actually fell into by accident (or perhaps the Creator led me? LOL). Back when my current research was just an i…
  • Hi Denise! the biggest challenges thus far are in terms of plain word construction. There are a number of obstacles with creating a consistent lexer and parser and keeping the actual programming true to the Cree language constructions. For example…
  • In this instance Cree# is just a small part of a larger language revitalization project. I am using Cree, because that is my heritage, but as I am also concurrently creating an Indigenous Computing Framework for it to built upon, my basic model shou…
  • ᑕᓂᓯ! (tanisi) = Hello! I'm Jon Corbett, a sessional faculty and PhD Candidate at the University of British Columbia - Okanagan. I am a Cree/Saulteaux Métis media artist and computer programmer and constantly looking for opportunities to encode my a…