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2024 Participants: Hannah Ackermans * Sara Alsherif * Leonardo Aranda * Brian Arechiga * Jonathan Armoza * Stephanie E. August * Martin Bartelmus * Patsy Baudoin * Liat Berdugo * David Berry * Jason Boyd * Kevin Brock * Evan Buswell * Claire Carroll * John Cayley * Slavica Ceperkovic * Edmond Chang * Sarah Ciston * Lyr Colin * Daniel Cox * Christina Cuneo * Orla Delaney * Pierre Depaz * Ranjodh Singh Dhaliwal * Koundinya Dhulipalla * Samuel DiBella * Craig Dietrich * Quinn Dombrowski * Kevin Driscoll * Lai-Tze Fan * Max Feinstein * Meredith Finkelstein * Leonardo Flores * Cyril Focht * Gwen Foo * Federica Frabetti * Jordan Freitas * Erika FülöP * Sam Goree * Gulsen Guler * Anthony Hay * SHAWNÉ MICHAELAIN HOLLOWAY * Brendan Howell * Minh Hua * Amira Jarmakani * Dennis Jerz * Joey Jones * Ted Kafala * Titaÿna Kauffmann-Will * Darius Kazemi * andrea kim * Joey King * Ryan Leach * cynthia li * Judy Malloy * Zachary Mann * Marian Mazzone * Chris McGuinness * Yasemin Melek * Pablo Miranda Carranza * Jarah Moesch * Matt Nish-Lapidus * Yoehan Oh * Steven Oscherwitz * Stefano Penge * Marta Pérez-Campos * Jan-Christian Petersen * gripp prime * Rita Raley * Nicholas Raphael * Arpita Rathod * Amit Ray * Thorsten Ries * Abby Rinaldi * Mark Sample * Valérie Schafer * Carly Schnitzler * Arthur Schwarz * Lyle Skains * Rory Solomon * Winnie Soon * Harlin/Hayley Steele * Marylyn Tan * Daniel Temkin * Murielle Sandra Tiako Djomatchoua * Anna Tito * Introna Tommie * Fereshteh Toosi * Paige Treebridge * Lee Tusman * Joris J.van Zundert * Annette Vee * Dan Verständig * Yohanna Waliya * Shu Wan * Peggy WEIL * Jacque Wernimont * Katherine Yang * Zach Whalen * Elea Zhong * TengChao Zhou
CCSWG 2024 is coordinated by Lyr Colin (USC), Andrea Kim (USC), Elea Zhong (USC), Zachary Mann (USC), Jeremy Douglass (UCSB), and Mark C. Marino (USC) . Sponsored by the Humanities and Critical Code Studies Lab (USC), and the Digital Arts and Humanities Commons (UCSB).
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blankenshipa
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Comments
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@Mace.Ojala Something else that really fascinates me, is this really closely linked relationship that code has to cookbooks. 'Cookbook' and 'recipe' are pretty common terms in programming for reusable/adaptable code and you even have books out like …
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@Zach_Mann I feel really compelled by your argument: "knitting as hobby, as amateurism, as separate from "serious works" (unlike music composition). It's a thing coded feminine and associated with de-stressing, with anti-work. Programming is often t…
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@quinnanya I really love your way of wording " Still, I manage to combine existing libraries and snippets of working code I dig up on StackOverflow or elsewhere, stitching them together in unique different ways," because I had never really thought o…
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I wonder if the concept of "brute force" is transferrable across code and textile work in the same way. Because of the materiality of cloth or yarn, there is a level of "rule breaking" or forcing something to work that I'm not sure works the same wa…
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Something that has always interested me about thinking through the intersections of domestic work and code is returning to points in history where these things have diverged. Scholars such as Jennifer Light have pointed out that programming was once…
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Hello everyone! I'm Avery (she/her/hers) and I am a current English PhD student at Northeastern University. My research focuses on thinking about nineteenth-century recipes as algorithms and programmatic writing. I was a computer science major in un…