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2024 Participants: Hannah Ackermans * Sara Alsherif * Leonardo Aranda * Brian Arechiga * Jonathan Armoza * Stephanie E. August * Martin Bartelmus * Patsy Baudoin * Liat Berdugo * David Berry * Jason Boyd * Kevin Brock * Evan Buswell * Claire Carroll * John Cayley * Slavica Ceperkovic * Edmond Chang * Sarah Ciston * Lyr Colin * Daniel Cox * Christina Cuneo * Orla Delaney * Pierre Depaz * Ranjodh Singh Dhaliwal * Koundinya Dhulipalla * Samuel DiBella * Craig Dietrich * Quinn Dombrowski * Kevin Driscoll * Lai-Tze Fan * Max Feinstein * Meredith Finkelstein * Leonardo Flores * Cyril Focht * Gwen Foo * Federica Frabetti * Jordan Freitas * Erika FülöP * Sam Goree * Gulsen Guler * Anthony Hay * SHAWNÉ MICHAELAIN HOLLOWAY * Brendan Howell * Minh Hua * Amira Jarmakani * Dennis Jerz * Joey Jones * Ted Kafala * Titaÿna Kauffmann-Will * Darius Kazemi * andrea kim * Joey King * Ryan Leach * cynthia li * Judy Malloy * Zachary Mann * Marian Mazzone * Chris McGuinness * Yasemin Melek * Pablo Miranda Carranza * Jarah Moesch * Matt Nish-Lapidus * Yoehan Oh * Steven Oscherwitz * Stefano Penge * Marta Pérez-Campos * Jan-Christian Petersen * gripp prime * Rita Raley * Nicholas Raphael * Arpita Rathod * Amit Ray * Thorsten Ries * Abby Rinaldi * Mark Sample * Valérie Schafer * Carly Schnitzler * Arthur Schwarz * Lyle Skains * Rory Solomon * Winnie Soon * Harlin/Hayley Steele * Marylyn Tan * Daniel Temkin * Murielle Sandra Tiako Djomatchoua * Anna Tito * Introna Tommie * Fereshteh Toosi * Paige Treebridge * Lee Tusman * Joris J.van Zundert * Annette Vee * Dan Verständig * Yohanna Waliya * Shu Wan * Peggy WEIL * Jacque Wernimont * Katherine Yang * Zach Whalen * Elea Zhong * TengChao Zhou
CCSWG 2024 is coordinated by Lyr Colin (USC), Andrea Kim (USC), Elea Zhong (USC), Zachary Mann (USC), Jeremy Douglass (UCSB), and Mark C. Marino (USC) . Sponsored by the Humanities and Critical Code Studies Lab (USC), and the Digital Arts and Humanities Commons (UCSB).
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anasalter
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Comments
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@Mace.Ojala Thank you so much for sharing the "Crochet Coral Reef" project! There's an entire rabbit hole of climate-driven data visualization in textile art we could go down with that sort of work, I'm particularly fold of some of the visualization…
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@KatieA I love the extended metaphors of "mending" in code and textile projects, that's one of the things I try to emphasize with my students in programming: so much of what we do is piecework and repurposing, and even something made "new" begins wi…
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Zach, I jumped into this on the other thread, but just in case folks are reading here WOVN has a very cool tutorial on using Processing to generate weaving designs: https://www.wovns.com/tutorials/designing-computational-textiles-with-processing/ - …
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Zach, Sadie Plant's work is of course awesome, nice connection! Weaving is continually the example that comes up when code and textiles are discussed, and I confess I've always thought that's because it's easier for folks to draw the parallels when …
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Howdy folks! I'm Anastasia (any pronouns are fine, but I mostly use they) and I'm an associate professor of English and director of the Texts & Technology PhD program at UCF. I'm mostly here to talk all things textiles in one of the week's threa…
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I find the representations in Mr. Robot particularly interesting, as there's both a sense of fidelity to representing code / software / interfaces with a level of accuracy within that show as a text, and some gender inclusivity within those represen…
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Hi all, I'm Anastasia Salter, an assistant prof of digital media at the University of Central Florida where I also teach in the Texts & Tech PhD program. My interest is primarily in the platforms and spaces where groups traditionally marginal…