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2024 Participants: Hannah Ackermans * Sara Alsherif * Leonardo Aranda * Brian Arechiga * Jonathan Armoza * Stephanie E. August * Martin Bartelmus * Patsy Baudoin * Liat Berdugo * David Berry * Jason Boyd * Kevin Brock * Evan Buswell * Claire Carroll * John Cayley * Slavica Ceperkovic * Edmond Chang * Sarah Ciston * Lyr Colin * Daniel Cox * Christina Cuneo * Orla Delaney * Pierre Depaz * Ranjodh Singh Dhaliwal * Koundinya Dhulipalla * Samuel DiBella * Craig Dietrich * Quinn Dombrowski * Kevin Driscoll * Lai-Tze Fan * Max Feinstein * Meredith Finkelstein * Leonardo Flores * Cyril Focht * Gwen Foo * Federica Frabetti * Jordan Freitas * Erika FülöP * Sam Goree * Gulsen Guler * Anthony Hay * SHAWNÉ MICHAELAIN HOLLOWAY * Brendan Howell * Minh Hua * Amira Jarmakani * Dennis Jerz * Joey Jones * Ted Kafala * Titaÿna Kauffmann-Will * Darius Kazemi * andrea kim * Joey King * Ryan Leach * cynthia li * Judy Malloy * Zachary Mann * Marian Mazzone * Chris McGuinness * Yasemin Melek * Pablo Miranda Carranza * Jarah Moesch * Matt Nish-Lapidus * Yoehan Oh * Steven Oscherwitz * Stefano Penge * Marta Pérez-Campos * Jan-Christian Petersen * gripp prime * Rita Raley * Nicholas Raphael * Arpita Rathod * Amit Ray * Thorsten Ries * Abby Rinaldi * Mark Sample * Valérie Schafer * Carly Schnitzler * Arthur Schwarz * Lyle Skains * Rory Solomon * Winnie Soon * Harlin/Hayley Steele * Marylyn Tan * Daniel Temkin * Murielle Sandra Tiako Djomatchoua * Anna Tito * Introna Tommie * Fereshteh Toosi * Paige Treebridge * Lee Tusman * Joris J.van Zundert * Annette Vee * Dan Verständig * Yohanna Waliya * Shu Wan * Peggy WEIL * Jacque Wernimont * Katherine Yang * Zach Whalen * Elea Zhong * TengChao Zhou
CCSWG 2024 is coordinated by Lyr Colin (USC), Andrea Kim (USC), Elea Zhong (USC), Zachary Mann (USC), Jeremy Douglass (UCSB), and Mark C. Marino (USC) . Sponsored by the Humanities and Critical Code Studies Lab (USC), and the Digital Arts and Humanities Commons (UCSB).

CatherineGriffiths

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  • @jeremydouglass Thank you for doing this, this is revealing! Perhaps not from the information that is there, but rather to the information that is not. As we know, AI and in particular deep learning models, suffer from the interpretability problem.…
  • @lfoster Thank you for these insights that open the discussion to intersectional issues, especially the way in which current computational technologies can be considered to continue a colonialist project. A lot of the ideas being discussed are not…
  • @Zach_Mann said: Disassociating that particular kind of body from the label "coder" would go a long way. Considering the prominent attempts by computer science departments and tech companies to diversify their workforce/student body, …
  • @jeremydouglass said: Given the prototyping of Feminist.AI and the open questions about querying information, I'm curious about what "visual search engine" will mean in this context. This analysis is fascinating and so revealing, but when…
  • @SarahCiston said: it's just that users are unaware they are inadvertently "tagging" their data as they participate in these digital systems. Yes! This points to the way that these systems are built from the unconscious labour of the p…
  • @jeremydouglass said: Thank you for sharing this! I'm curious about the included starter model, fs_model.pkl, and what is in it. The README says "I created a model with some original data we had." What is this model made of, and what is it…
  • @jeremydouglass said: I think the model was trained on photos, like jpeg images, is that right? What were they of? Faces, cats and dogs, guns, things posted to Twitter? If some of them were labeled as safe, who labeled them -- the researcher,…
  • I’m just starting to understand how this code works, but my initial interest is to think about machine learning as a process that constantly reduces the complexity of information. Beginning with the many interpretations of the phenomenon of ’safe…
  • Hi I'm Catherine. I'm just joining the discussion for week 3. I'm a PhD Candidate in Media Arts & Practice at USC. I'm interested in CCS as a method of critical engagement alongside visual arts practices. I'm looking at deep learning networks, a…
  • @jmjafrx said: I mean...what if the programmers behind programming the Google image searches so that faces of people of African descent get tagged as gorillas were the public face of that dust up? As opposed to users never knowing (or program…
  • And also picking up on the provocation from Buswell re the humanities turning toward making and doing. As someone that comes to Critical Code Studies from design research, rather than the humanities, I am also looking for a way to bring the writing …
  • Hi everyone. I'm Catherine Griffiths and I'm a PhD student in Media Arts at USC. My work is looking at how to visualize algorithms, in the context of the ethics in algorithms debate. This is my first CCS working group. I'm also a co-organizer of the…