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2026 Participants: Martin Bartelmus * David M. Berry * Alan Blackwell * Gregory Bringman * David Cao * Claire Carroll * Sean Cho Ayres * Hunmin Choi * Jongchan Choi * Lyr Colin * Dan Cox * Christina Cuneo * Orla Delaney * Adrian Demleitner * Pierre Depaz * Mehulkumar Desai * Ranjodh Singh Dhaliwal * Koundinya Dhulipalla * Kevin Driscoll * Iain Emsley * Michael Falk * Leonardo Flores * Jordan Freitas * Aide Violeta Fuentes Barron * Erika Fülöp * Tiffany Fung * Sarah Groff Hennigh-Palermo * Gregor Große-Bölting * Zachary Horton * Dennis Jerz * Joey Jones * Titaÿna Kauffmann * Haley Kinsler * Todd Millstein * Charu Maithani * Judy Malloy * Eon Meridian * Luis Navarro * Collier Nogues * Stefano Penge * Marta Perez-Campos * Arpita Rathod * Abby Rinaldi * Ari Schlesinger * Carly Schnitzler * Arthur Schwarz * Haerin Shin * Jongbeen Song * Harlin/Hayley Steele * Daniel Temkin * Zach Whalen * Zijian Xia * Waliya Yohanna * Zachary Mann
CCSWG 2026 is coordinated by Lyr Colin-Pacheco (USC), Jeremy Douglass (UCSB), and Mark C. Marino (USC). Sponsored by the Humanities and Critical Code Studies Lab (USC), the Transcriptions Lab (UCSB), and the Digital Arts and Humanities Commons (UCSB).
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SimonHutchinson
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From Ron Eglash's article above, p 368: Perhaps [a] kind of emphasis on a technical identity is at work here, too, and the master-slave metaphor is attractive to engineers because its free use "proves" that they inhabit a nonsocial or culture-…
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@barry.rountree Thanks! Poking around, in this 2007 article, the earliest mention the author found was 1904. I haven't dug into this whole article yet, but hope to do so later in the week. I bring up the history and origins of this usage in re…
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I'm very interested in this discussion. Working in audio these terms are still prevalent (talking about master clock, etc.). I'm curious as to the origin of "Master/Slave" in this technical context. Were these terms (in regard to code) coined in …
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Hi all. My name is Simon Hutchinson (he/him). I'm a composer and Asst. Prof. of Music Technology at the University of New Haven. While my musical training is "traditional," my current work focuses interactive electronic composition, including data-d…