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2026 Participants: Martin Bartelmus * David M. Berry * Alan Blackwell * Gregory Bringman * David Cao * Claire Carroll * Sean Cho Ayres * Hunmin Choi * Jongchan Choi * Lyr Colin * Dan Cox * Christina Cuneo * Orla Delaney * Adrian Demleitner * Pierre Depaz * Mehulkumar Desai * Ranjodh Singh Dhaliwal * Koundinya Dhulipalla * Kevin Driscoll * Iain Emsley * Michael Falk * Leonardo Flores * Jordan Freitas * Aide Violeta Fuentes Barron * Erika Fülöp * Tiffany Fung * Sarah Groff Hennigh-Palermo * Gregor Große-Bölting * Zachary Horton * Dennis Jerz * Joey Jones * Titaÿna Kauffmann * Haley Kinsler * Todd Millstein * Charu Maithani * Judy Malloy * Eon Meridian * Luis Navarro * Collier Nogues * Stefano Penge * Marta Perez-Campos * Arpita Rathod * Abby Rinaldi * Ari Schlesinger * Carly Schnitzler * Arthur Schwarz * Haerin Shin * Jongbeen Song * Harlin/Hayley Steele * Daniel Temkin * Zach Whalen * Zijian Xia * Waliya Yohanna * Zachary Mann
CCSWG 2026 is coordinated by Lyr Colin-Pacheco (USC), Jeremy Douglass (UCSB), and Mark C. Marino (USC). Sponsored by the Humanities and Critical Code Studies Lab (USC), the Transcriptions Lab (UCSB), and the Digital Arts and Humanities Commons (UCSB).

yaxu

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  • Thanks @acstanfield that is so lucid and clarifies so much for me. I agree that the concept of debugging comes with particular limited conception of how we interact with a computer and that there are alternatives where we embrace error.
  • Sorry to come to this so late but this thread has been super inspiring for me. I've been working towards making alternative interfaces for creative coding and this has stopped me in my tracks. Making weirdo visual interfaces somehow feels wrong when…
  • @sarahghp Yes these are really great points! It's too easy to focus on the ways in which coding is like sewing, knitting and weaving, but in a way that's disrespectful to all these practices unless we also explore how they're different.. What their …
  • I'm just trying to imagine what would happen if SkyKnit patterns were made by an equivalent human rather than a computer. This assumes that the human has never knitted, or has any experience with knots, or even seen or touched a textile - although t…
  • Sorry to double post but I just wanted to share Amy Twigger-Holroyd's reknitting project: https://reknitrevolution.org/reknit/ There's something about Amy using mathematics to interface between hand and machine knitting gauges to repurpose an…
  • Yes it's a very nice passage @annatito and that a nice point about the musical insights being a stronger connection to textile art @Zach_Mann. I think there is a general problem with focussing on 'firsts' which focusses on naming particular autho…
  • @onebigear Yes I think we're talking past each other a bit (I'd assumed you were responding directly to my point) but can see that Lovelace isn't a good role model. It's maybe interesting that the reason she was steered towards mathematics was to st…
  • @annetropy Yes on reflection I took that statement out of context and was ranting, sorry. @onebigear I wouldn't call Lovelace the first programmer for two reasons - firstly as Maggie Boden says, it's a bit silly to claim that Babbage wasn't also …
  • @annetropy Yes that's a nice thought. With weaving there have been cases where I have expected a fabric to not hold together, went ahead anyway and it was fine. If I created a 'split' doubleweave without expecting it that would certainly be a valuab…
  • @joanne that's a really important point. Franklin's "real world of technology" talks about similar processes where technologies of craftwork, like the sewing machine, apparently invented to save women time, are very quickly twisted into technologies…
  • @nannadeboisbuhl This is great thanks for sharing! I've not used a shaft loom, can you say something about how it feels to change rhythm? Do some rhythms 'feel' better than others? Also when you mutate patterns, do you then have problems with floats…
  • "patterns are sequential instructions that have specialized syntax which also include variables, loops, conditionals, algorithms, etc. While the vocabulary may be different between textile crafters and programmers, the concepts are the same," I'd…
  • @zach_mann As you say, weaving and knitting are different, but I think this difference can only be understated. Structurally speaking, weaving, knitting and say, javascript are equidistant from each other. The Jacquard mechanism always comes up, but…
  • I didn't manage to find out whether the 'master' name was really a big issue or not (although thinking about it, it's already starting to feel .. antiquated), but on the other hand renaming a branch from master to main takes a couple of minutes, it'…
  • Thanks for the link to the Data Feminism book @KatieA which I really need to read properly. These Polynesian stick charts are interesting in comparison to the Bailey-Derek grammar: http://thenonist.com/index.php/thenonist/permalink/stick_charts/…
  • I think Vernelle Noel's work on "Situated computations" is excellent, and relevant here. Giving the example of a shape grammar for wire-bending craft for Trinidad and Tobago carnival, she argues that computational design tools should: * Be buil…
  • Hello all, I'm Alex McLean, based in Sheffield UK. I'm just starting a research fellowship at the non-profit open access lab Then Try This exploring "Algorithmic Patterns", developing patterning technologies (including work on my TidalCycles live…