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2024 Participants: Hannah Ackermans * Sara Alsherif * Leonardo Aranda * Brian Arechiga * Jonathan Armoza * Stephanie E. August * Martin Bartelmus * Patsy Baudoin * Liat Berdugo * David Berry * Jason Boyd * Kevin Brock * Evan Buswell * Claire Carroll * John Cayley * Slavica Ceperkovic * Edmond Chang * Sarah Ciston * Lyr Colin * Daniel Cox * Christina Cuneo * Orla Delaney * Pierre Depaz * Ranjodh Singh Dhaliwal * Koundinya Dhulipalla * Samuel DiBella * Craig Dietrich * Quinn Dombrowski * Kevin Driscoll * Lai-Tze Fan * Max Feinstein * Meredith Finkelstein * Leonardo Flores * Cyril Focht * Gwen Foo * Federica Frabetti * Jordan Freitas * Erika FülöP * Sam Goree * Gulsen Guler * Anthony Hay * SHAWNÉ MICHAELAIN HOLLOWAY * Brendan Howell * Minh Hua * Amira Jarmakani * Dennis Jerz * Joey Jones * Ted Kafala * Titaÿna Kauffmann-Will * Darius Kazemi * andrea kim * Joey King * Ryan Leach * cynthia li * Judy Malloy * Zachary Mann * Marian Mazzone * Chris McGuinness * Yasemin Melek * Pablo Miranda Carranza * Jarah Moesch * Matt Nish-Lapidus * Yoehan Oh * Steven Oscherwitz * Stefano Penge * Marta Pérez-Campos * Jan-Christian Petersen * gripp prime * Rita Raley * Nicholas Raphael * Arpita Rathod * Amit Ray * Thorsten Ries * Abby Rinaldi * Mark Sample * Valérie Schafer * Carly Schnitzler * Arthur Schwarz * Lyle Skains * Rory Solomon * Winnie Soon * Harlin/Hayley Steele * Marylyn Tan * Daniel Temkin * Murielle Sandra Tiako Djomatchoua * Anna Tito * Introna Tommie * Fereshteh Toosi * Paige Treebridge * Lee Tusman * Joris J.van Zundert * Annette Vee * Dan Verständig * Yohanna Waliya * Shu Wan * Peggy WEIL * Jacque Wernimont * Katherine Yang * Zach Whalen * Elea Zhong * TengChao Zhou
CCSWG 2024 is coordinated by Lyr Colin (USC), Andrea Kim (USC), Elea Zhong (USC), Zachary Mann (USC), Jeremy Douglass (UCSB), and Mark C. Marino (USC) . Sponsored by the Humanities and Critical Code Studies Lab (USC), and the Digital Arts and Humanities Commons (UCSB).

code syntax! in art/poems

A similar topic is already been discussed in the 4th week, yet I want to show my work and talk about code syntax as an art form.
I’m an artist doing my master's in the royal art academy in Copenhagen. In 2020 I had a solo in Roskilde museum for contemporary art. The expo was called ‘This is why we cried’, in this expo I was reflecting on the correlation between my life as a stateless person (without a citizenship/passport) and the life of the AI robots, in a form of message/testimony for the future AI robots.
This expo came after a series of events following my political status and the Alien passport I'm carrying around, which is a form of travel document that can't take me anywhere. And then seeing Sophia the robot being granted a Saudi passport. (imagine how I felt!) But somehow we were both aliens!

I then wrote a text called [A][lie][nation], a play on alienation, inspired by Giorgio Agamben to decode this political mess.

There were two works related directly to code and syntax in the expo.
First is a poem, engraved on plexiglass. It was my first attempt to write a poem using only the syntax of the code. Working with code as a language and seeing the esthetics of it and leaving the function. I was trying to create an alternative queer language for speaking with future robots and at the same time readable by anyone even with no coding skills. It is kind of half serious as it is an artwork for a specific context and the game was to deliver a story, not only about the absurdity of the passport and the citizenship but also about colonialism and white supremacy. And how the technology in the west is built on brown bodies like my alienated body.
On the other side of this storytelling, I was having a beautiful time writing and playing with language, and I would love to hear opinions about the process, the work, or the code itself.


The other work was a letter explaining trauma for future robots, it started as a text also with code syntax and then it turned into a binary code, and then into a sound piece, like a coded code that a robot has to listen to and decode and understand. The sound piece is 22 hours long so I can't really share it :) we can only talk about it in its absence.

this is the first poem:


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