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2024 Participants: Hannah Ackermans * Sara Alsherif * Leonardo Aranda * Brian Arechiga * Jonathan Armoza * Stephanie E. August * Martin Bartelmus * Patsy Baudoin * Liat Berdugo * David Berry * Jason Boyd * Kevin Brock * Evan Buswell * Claire Carroll * John Cayley * Slavica Ceperkovic * Edmond Chang * Sarah Ciston * Lyr Colin * Daniel Cox * Christina Cuneo * Orla Delaney * Pierre Depaz * Ranjodh Singh Dhaliwal * Koundinya Dhulipalla * Samuel DiBella * Craig Dietrich * Quinn Dombrowski * Kevin Driscoll * Lai-Tze Fan * Max Feinstein * Meredith Finkelstein * Leonardo Flores * Cyril Focht * Gwen Foo * Federica Frabetti * Jordan Freitas * Erika FülöP * Sam Goree * Gulsen Guler * Anthony Hay * SHAWNÉ MICHAELAIN HOLLOWAY * Brendan Howell * Minh Hua * Amira Jarmakani * Dennis Jerz * Joey Jones * Ted Kafala * Titaÿna Kauffmann-Will * Darius Kazemi * andrea kim * Joey King * Ryan Leach * cynthia li * Judy Malloy * Zachary Mann * Marian Mazzone * Chris McGuinness * Yasemin Melek * Pablo Miranda Carranza * Jarah Moesch * Matt Nish-Lapidus * Yoehan Oh * Steven Oscherwitz * Stefano Penge * Marta Pérez-Campos * Jan-Christian Petersen * gripp prime * Rita Raley * Nicholas Raphael * Arpita Rathod * Amit Ray * Thorsten Ries * Abby Rinaldi * Mark Sample * Valérie Schafer * Carly Schnitzler * Arthur Schwarz * Lyle Skains * Rory Solomon * Winnie Soon * Harlin/Hayley Steele * Marylyn Tan * Daniel Temkin * Murielle Sandra Tiako Djomatchoua * Anna Tito * Introna Tommie * Fereshteh Toosi * Paige Treebridge * Lee Tusman * Joris J.van Zundert * Annette Vee * Dan Verständig * Yohanna Waliya * Shu Wan * Peggy WEIL * Jacque Wernimont * Katherine Yang * Zach Whalen * Elea Zhong * TengChao Zhou
CCSWG 2024 is coordinated by Lyr Colin (USC), Andrea Kim (USC), Elea Zhong (USC), Zachary Mann (USC), Jeremy Douglass (UCSB), and Mark C. Marino (USC) . Sponsored by the Humanities and Critical Code Studies Lab (USC), and the Digital Arts and Humanities Commons (UCSB).
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mwidner
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@markcmarino said: I'm interested in those critiques of the dehumanizing action of representing enslaved people in databases when producing research materials. It strikes me as vastly different from say a slave trader creating lists of the human…
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As I've been thinking about @mrheeloy's call for us to convert poems in to code, and e.e. cummmings came to mind, perhaps because some of his poems are already so code-like. For instance, there's the classic poem about a grasshopper: So, for …
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About automation, there's a relevant XKCD comic (as always): About copy-pasted code, another joke: @jeremydouglass said: Race, gender, and power is one interesting way to think about this question of tracing origins, and one of t…
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@JamalSRussell said: I would say that the links that can be made between avant-garde chance operations and digital poetics emphasizes how the act of coding is always already a poetic act. One could point not only to the chance operations outlined…
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Although this is not about the assembly code per se, one of the fascinating things about the Apollo Guidance Computer was its reliance on core rope memory to store the code: https://hackaday.com/2016/09/02/decoding-rediscovered-rope-memory-from-t…
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@JacqueWernimont said: This is a great point, Nick. While the algorithmic bias is an important topic, in focusing on the idea of a single algorithm (not the case) we can create the false impression that it's just a small piece of code that needs to …
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Hi all, I'm excited to join conversations with so many people whose work I admire! I'm Mike Widner and I work for the Stanford Libraries and the Division of Literatures, Cultures, and Languages as an Academic Technology Specialist. I'm the Techno…