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2024 Participants: Hannah Ackermans * Sara Alsherif * Leonardo Aranda * Brian Arechiga * Jonathan Armoza * Stephanie E. August * Martin Bartelmus * Patsy Baudoin * Liat Berdugo * David Berry * Jason Boyd * Kevin Brock * Evan Buswell * Claire Carroll * John Cayley * Slavica Ceperkovic * Edmond Chang * Sarah Ciston * Lyr Colin * Daniel Cox * Christina Cuneo * Orla Delaney * Pierre Depaz * Ranjodh Singh Dhaliwal * Koundinya Dhulipalla * Samuel DiBella * Craig Dietrich * Quinn Dombrowski * Kevin Driscoll * Lai-Tze Fan * Max Feinstein * Meredith Finkelstein * Leonardo Flores * Cyril Focht * Gwen Foo * Federica Frabetti * Jordan Freitas * Erika FülöP * Sam Goree * Gulsen Guler * Anthony Hay * SHAWNÉ MICHAELAIN HOLLOWAY * Brendan Howell * Minh Hua * Amira Jarmakani * Dennis Jerz * Joey Jones * Ted Kafala * Titaÿna Kauffmann-Will * Darius Kazemi * andrea kim * Joey King * Ryan Leach * cynthia li * Judy Malloy * Zachary Mann * Marian Mazzone * Chris McGuinness * Yasemin Melek * Pablo Miranda Carranza * Jarah Moesch * Matt Nish-Lapidus * Yoehan Oh * Steven Oscherwitz * Stefano Penge * Marta Pérez-Campos * Jan-Christian Petersen * gripp prime * Rita Raley * Nicholas Raphael * Arpita Rathod * Amit Ray * Thorsten Ries * Abby Rinaldi * Mark Sample * Valérie Schafer * Carly Schnitzler * Arthur Schwarz * Lyle Skains * Rory Solomon * Winnie Soon * Harlin/Hayley Steele * Marylyn Tan * Daniel Temkin * Murielle Sandra Tiako Djomatchoua * Anna Tito * Introna Tommie * Fereshteh Toosi * Paige Treebridge * Lee Tusman * Joris J.van Zundert * Annette Vee * Dan Verständig * Yohanna Waliya * Shu Wan * Peggy WEIL * Jacque Wernimont * Katherine Yang * Zach Whalen * Elea Zhong * TengChao Zhou
CCSWG 2024 is coordinated by Lyr Colin (USC), Andrea Kim (USC), Elea Zhong (USC), Zachary Mann (USC), Jeremy Douglass (UCSB), and Mark C. Marino (USC) . Sponsored by the Humanities and Critical Code Studies Lab (USC), and the Digital Arts and Humanities Commons (UCSB).
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emenel
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Coincidentally, Allison Parrish just posted this recent talk that says some of what I was trying to say but better "Computational text collage is suited to many forms and emotions—form letters, satire, poetic juxtaposition, avant-garde lingui…
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One of the many challenges with LLMs is that they are essentially unknowable. No matter how much you interrogate it via prompt interactions or attempt to trace the weights of different nodes and embeddings, they are so complex and massive that there…
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Hi everyone, I'm Matt (he/they), an artist and musician based in Toronto. I also teach sound art, installation, and computational art at the University of Toronto. My research and practice is focused around thinking about computer-cultures, th…
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My experience teaching p5.js and Processing with students at CIID, an international post-graduate design school, might be interesting for this discussion. Most of the students have never done any programming before, including website building fou…
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Related to @onebigear's comment regarding the feeling of 70's/80's programming books, I've recently been revisiting Seymour Papert and Cynthia Solomon's "Twenty Things to Do with a Computer" which is one of my favourite 70's intro to programming tex…
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I'm Matt and I'm based in Toronto. I have a background in new media art, and recently (after a 15 year break) completed my MFA in studio art at The University of Toronto. I'm very interested in, and invested in, the poetics and politics of computati…