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Participants: Hannah Ackermans * Julianne Aguilar * Bo An * Katie Anagnostou * Joanne Armitage * Lucas Bang * Alanna Bartolini * David M. Berry * Lillian-Yvonne Bertram * Elisa Beshero-Bondar * Briana Bettin * Sayan Bhattacharyya * Avery Blankenship * Gregory Bringman * Tatiana Bryant * Zara Burton * Evan Buswell * Ashleigh Cassemere-Stanfield * Angela Chang * Prashant Chauhan * Lia Coleman * Chris Coleman * Bill Condee * Nicole Cote * Christina Cuneo * Pierre Depaz * Ranjodh Dhaliwal * Samuel DiBella * Quinn Dombrowski * Kevin Driscoll * Brandee Easter * Jeffrey Edgington * Zoelle Egner * Tristan Espinoza * Teodora Sinziana Fartan * Meredith finkelstein * luke fischbeck * Cyril Focht * Cassidy Fuller * Erika Fülöp * gripp gillson * Alice Goldfarb * Jan Grant * Sarah Groff Hennigh-Palermo * Saksham Gupta * MARIO GUZMAN * Gottfried Haider * Rob Hammond * Nabil Hassein * Diogo Henriques * Gui Heurich * Kate Hollenbach * Stefka Hristova * Bryce Jackson * Dennis Jerz * Joey Jones * Amy Kintner * Corinna Kirsch * Harris Kornstein * Julia Kott * Rishav Kundu * Karios Kurav * Cherrie Kwok * Sarah Laiola * RYAN LEACH * Rachael Lee * Kristen Lillvis * Elizabeth Losh * Jiaqi LU * Megan Ma * Emily Maemura * ASHIK MAHMUD * Felipe Mammoli * Mariana Marangoni * Terhi Marttila * Daniel McCafferty * Christopher McGuinness * Alex McLean * Chandler McWilliams * Todd Millstein * Achala Mishra * Mami Mizushina * Nick Montfort * Molly Morin * Gutierrez Nicholaus * Matt Nish-Lapidus * Michael Nixon * Mace Ojala * Steven Oscherwitz * Delfina Pandiani * Stefano Penge * Megan Perram * Gesina Phillips * Tanner Poling * Julia Polyck-O’Neill * Ben Potter * Amit Ray * Katrina Rbeiz * Jake Reber * Thorsten Ries * Giulia Carla Rossi * Barry Rountree * Warren Sack * samara sallam * Mark Sample * Perla Sasson-Henry * zehra sayed * Carly Schnitzler * Ushnish Sengupta * Lyle Skains * Andrew Smith * Rory Solomon * S. Hayley Steele * Samara Steele * Nikki Stevens * Daniel Temkin * Anna Tito * Lesia Tkacz * Fereshteh Toosi * Nicholas Travaglini * Paige Treebridge * Paige Treebridge * Álvaro Triana Sánchez * Lee Tusman * Natalia + Meow Tyshkevich + Kilo * Annette Vee * Malena Velarde * Dan Verständig * Yohanna Waliya * Samantha Walkow * Josephine Walwema * Shu Wan * Biyi Wen * Zach Whalen * Mark Wolff * Christine Woody * kathy wu * Katherine Yang * Shuyi Yin * Nikoleta Zampaki * Hongwei Zhou
Coordinated by Mark Marino (USC), Jeremy Douglass (UCSB), Sarah Ciston (USC), and Zach Mann (USC). Sponsored by the Humanities and Critical Code Studies Lab (USC), and the Digital Arts and Humanities Commons (UCSB).
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melstanfill
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Comments
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@difranco said: In the law, there exists a distinction in notions of justice between justice arising from the correct procedures having been followed and justice arising from the correct outcome having been reached. The same distinction exist…
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@ebuswell said: This got me thinking that there's another story we can tell about the history of code and music, where various musical technologies, some of them involving something like code, facilitated the development of various musics, most …
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@jmjafrx said: @ggimse What it interesting is how isolated each section is from the other especially in large scale applications and corporate infrastructures. What would a programming language look like that made this i…
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@ebuswell said: This system was designed for sixteenth century European music, and when applied to other types of music, even distant relatives, well, this is the result. [ . . . ] Second, there is the way that this very general theoretical wor…
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@jmjafrx said: Because surveillance is so much a part of how black people and people of color traffic in the digital--either as surveilled by platforms or culture being consumed by other users with the platforms as mediums or the very real s…
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@mwidner said: What happens when we read poetry as code and assume that the mind of the reader is the "computer" processing the fuzzy linguistic instructions of a poem? [ . . . ] But the meaning, feelings, memories, and beauty each reader finds…
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@rogerwhitson said: I think it would be worthwhile to delineate what "critical" might mean. It's used far too often, IMHO, without being specific - and mostly in a defensive posture against people who say that DH isn't critical. And apologies for…
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@belljo said: @mwidner said: I'm a medievalist by training, so have studied a period that recognized labor, creativity, and predecessors in a way that seems to me far more applicable to our current conditions. [ . . . ] …
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@belljo said: Humans do the same thing with each other, of course: creativity is subjective and two people with shared backgrounds and experiences will be less likely to find each others' work broadly creative than two people coming from…
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@jeremydouglass said: One of the interesting questions that creative coding raises for me is whether this enlarged conceptions of CCS could be circumscribed as "a group of reading-centric approaches to software," with creative code is the object …
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@alirachelpearl said: @markcmarino, I think the idea of discrete lenses in your comment felt troublesome for this reason. The assumption that there is a set of lenses and that we can/should/might only use one at a time. But the beauty of …
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@mirsween said: For example, I have been personally pondering how framing topics as “power and code” or “identity and code” might allow for more fluidity and intersection of topics. What about the discursive moves of discussing “race and cod…
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Thanks to @tonia_sutherland and @mirsween for raising this. I do see discussion of race arising in the "gender discussion" so hopefully we can keep building that in with intent and purpose and carry forward to include gender in the "race discussion."
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For me this work raises a different and related question--and maybe one that ties together all 3 weeks of this workshop: Is it a coincidence that there is a move to see machines as creative in a period in which there is increased recognition that wo…
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@eringlass said: I've been researching early-to-recent recent visions of a world connected by information (whether by books or networks) and have gathered up the usual suspects such as Diderot, Tesla, HG Wells, Vannevar Bush, and Benkler. Howeve…
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@aparrish said: I also want to consider the idea that autocomplete is, fundamentally, a kind of assistive technology: it makes it easier for people to type, which is ultimately a worthy goal, I think. Thank you for this point! Autocomplet…
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@nikki said: There's been a move among programmers (at least in my sphere) to switch from calling them "ranking algorithms" to "engagement algorithms." I think this makes it way clearer that systems are not always ranking content items by the sa…
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@JudyMalloy your mention of trying the result for yourself makes me think about how these results are customized based on not only algorithms we can't see, but algorithms parsing our data bodies that we can't see or edit. Yours and @KIBerens and min…
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I'm an assistant professor with a joint appointment in the Texts & Technology Program and Digital Media at the University of Central Florida. My research looks at the relationship between media industries and everyday people--my first book looks…